"There are no accidents in Middle Earth. Frodo's will fails at the last moment, but it was sufficient to bring the Ring as far as Mount Doom. (Aragorn or Gandalf would have gone Dark Lord long before that.) Gollum is around to fall into the Cracks only because Frodo's mercy spared him, when plain straightforward Sam could see that killing him was the smart thing. And not just mercy: empathy as well. Frodo could pity Gollum, because he knew what it was to be tortured by the Ring's power."
That's Mike Schilling commenting on the post below and he's making a good point.
I wrote that Frodo fails. At the last moment he's corrupted by the Ring, and he, and the World of Men, are only saved by the accidents of Gollum's showing up, taking the Ring from Frodo, and falling into the pit with it.
But Mike is right. Gollum is only alive to be there because of Frodo. His arriving to "save" Frodo is in an important way Frodo's own doing. Frodo saves himself on Mount Doom before he even gets there, through his own kindness and decency.
This is Tolkien's take on the old, old theme of Everyman, that in the end all we have to accompany us into heaven, all that will take us there, all that saves us, is our Good Works.
Peter Jackson's movies, great as they are, make much more of Aragorn and the battles than Tolkien himself does. The books are about Frodo and his quest. Tolkien actually does a pretty cursory job on the battle scenes. He's much more interested in what's happening inside and immediately around Frodo than he is in the great world of men. The Lord of the Rings is mainly the story of one soul's journey towards heaven.
Putting it that way, though, makes it sound like an allegory, a 20th Century follow-up to A Pilgrim's Progress.
There are allegorical elements in Lord of the Rings, but it has far more in common with epics and romances. It is a symbolic work, and its symbolism is self-referential. The symbols point us towards the books' own themes and meanings. Characters are meant to be seen as meaning themselves, actions taken at face value. The books are about themselves.
Understanding what Tolkien is up to isn't a matter of finding one to one correspondences between what happens in the story and things in real life.
The battle of Pelennor Fields is not Armageddon and Aragorn is not the second coming of Jesus Christ.
I don't think there was anything wrong with Rick Santorum using a reference to a classic work of fiction to make a point about things going on in real life. Where would great public speakers be without Shakespeare and the Bible to crib from?
Art is about life, after all.
Shakespeare himself was pretty firm on the subject. Well, Hamlet was, anyway.
"Good my lord, will you see the players well bestowed? Do you hear, let them be well used, for they are the abstract and brief chronicles of the time. After your death you were better have a bad epitaph than their ill report while you live."
I think Santorum's allusion was inapt. But I'm more disturbed by the point he was using the eye of Sauron to make---that it's a good thing that all those Iraqis and American soldiers and Marines are getting killed every day, otherwise we might have to worry about getting killed ourselves.
It's better all those people die on our behalf than that we have to think twice about going to the mall.
But the allusion was inapt, in several ways, mainly by being an attempt to draw an allegorical comparison rather than seeing the symbolic point.
Sauron is not Osama or, even more allegorically interpreted, Terror. Bush is not Frodo and he's definitely not Aragorn. But he's not Saruman or the Witch King either. Cheney may act like Grima Wormtongue on Bush, but he's not Grima. The terrorists aren't orcs, and neither are Republicans or Right Wingers or Right Wing bloggers, although some of them sure can be orc-like in their thinking.
I am Grima.
I am Theoden too. I am Frodo and Sam and Merry and Pippin.
I am Bilbo and Gollum.
I am an orc. And so are you.
The Lord of the Rings is not a political work. It has no political lessons to teach. It's a moral work. It's about the inner lives of individuals, not the public functioning of societies.
A very important way Santorum's allusion was wrong is that it uses Sauron as a stand in for an outside threat.
Sauron is an inner evil. That's why he has no body and no personality. It's why his armies are mostly anonymous.
Evil, in the Lord of the Rings, isn't an Other. It's a destructive force within ourselves that we bring to bear upon ourselves.
The bad guys are kind of a disappointing and unscary lot, just a bunch of fairy tale hobgoblins led by a yet another evil wizard, until they are seen for what they are---mirror images of the good guys.
The orcs used to be elves.
Gollum was a hobbit cousin.
There's Gandalf, and there's Saruman.
There's Theoden and there's Denethor.
Aragorn is mirrored by the Nazgul, all of whom used to be great kings, and by his own ancestor, Isildur. Boromir is his double too. All of them, the Nazgul, Isildur, and Boromir represent choices Aragorn could have made and could still make. They are symbolic of his temptations and weaknesses.
The Armies of Mordor are mustering to destroy the World of Men, but the Armies of Mordor include men. The Easterlings are not literally enemies from the East. They are not Nazis or the Soviets or the Red Chinese or Islamic terrorists. They are the men of the West, the men of Rohan and Gondor, facing themselves in the mirror, the way West and East face each other across the compass dial not in opposition but as two names for the same ideas, "Where we are" and "Where we are going," with either being either. We could be going one way as easily as we could be going the other.
The greatest evil in Middle-earth, the greatest temptation, is the work not of Sauron but of the Ring. That evil is the lust for power and self-aggrandizement or, in the case of hobbits, the craven desire to be left alone, to separate from the world and its troubles, to hide in a cave, secret, self-contained, solitary, with no concern for anybody or anything but our own selfish wants and pleasures. Some life, chewing on raw fish while talking to our own reflections, but it's amazing how alluring it is and how often we all succumb.
Anyway, that's why it almost always seems to work, accusing someone else of being like this character or that from Lord of the Rings.
Because at some point we all are like this or that character or all the characters---except for Aragorn.
That's who we're all supposed to be trying to be.
Even Strider.
_______________________________________
All I know about Tolkien I know from reading Tom Shippey's J. R. R. Tolkien: Author of the Century.
Nicely done, Lance.
I would argue, maybe, that Sauron and Aragorn are set against each other as well -- that Sauron is a mocking, mirror image of kingship. That's one reason why Aragorn is the only character who (somewhat) directly confronts Sauron and even, in a way, defeats him, by wresting the palantir from his control.
And I would qualify the characterization of Sauron as strictly an inner evil. He's that, to be sure, but he and his armies are also an external threat, since inner evils become external threats when enough people give themselves over to the evil. I think Tolkien, by depicting Sauron and the Ringwraiths as either disembodied or shadows who nevertheless exist enough to cause great harm in Middle Earth, was attempting to come to terms with the evil on an unimagined scale that the twentieth century witnessed without resorting to strictly Manichean categories.
I'm struck by your suggestion that Aragorn is the character we're all striving to be. It's funny; when I first read The Lord of the Rings, at thirteen, Aragron was my favorite character, the one who seemed to me most heroic, most worthy of emulation. After several rereadings, I haven't lost my love for Aragorn, but my appreciation of Frodo has deepened. I do think the two of them represent different models of heroism -- Aragorn the epic, Beowulfian hero, and Frodo the self-sacrificing and renouncing hero -- that are equally important, though Frodo's type of heroism is as easily overlooked by modernity as it was by the hobbits of the Shire. Frodo's type of heroism is also maybe increasingly required by modernity -- that's why he and Sam, in the dead marshes and in Mordor, "relive" Tolkien's experiences in the Great War.
P. S. For what it's worth, I know hardly anything about Star Trek, and would be hard put even to tell the difference between Klingons and Romulans.
Posted by: Kate Marie | Thursday, October 19, 2006 at 02:22 PM
By the way, I'm not suggesting that Aragorn isn't self-sacrificing -- just that his heroism is more overt.
And that Shippey book is a great one, isn't it? He completely convinced me with the comparison between Tolkien and Joyce.
Posted by: Kate Marie | Thursday, October 19, 2006 at 02:26 PM
It's funny -- I usually look at the great posts here, then the great comments, and wish I had something cogent to say, something really interesting to add, but the one or two times I have it's been to either be a pedant (or that's how it's come out) or make a bad joke.
So, this time, I'd like to say, up front, that this was a great post, following up on another great post, and that "Lance Mannion" is my first stop every day, and I really, really dig your stuff.
Okay. Now I'm gonna be a pedant again real quick.
The whole Sauron-doesn't-have-a-body thing was an invention of Peter Jackson's. Sauron has a body. The "Eye of Mordor" bit is, you'll recall, a metaphor -- Jackson jumped on it and ran with it, presumably so he could show Sauron without having to show a giant-sized demigod throughout the movies.
A giant, sizzling electronic eye IS a hell of a lot more interesting to watch.
And while I take your point about the whole interior evil thing, Sauron has got a personality (it's just that you have to read a different book, The Silmarillion, to actually see it in action) --
And now I'm being too much of a pedant even for me, so I'll just repeat what I said before about this being my daily first stop and thinking this post was terrific.
Posted by: Falstaff | Thursday, October 19, 2006 at 06:38 PM
I've always been interested in LOTR as one of the great literary expressions of English ruralism, the idea that the true quality of English nobility is to be found in the countryside, and amongst the people who work it. The only creature capable of (almost) disposing of the Ring are the simplest country folk, whose idea of true happiness is a pipe, a fire, and good book. The closer you get to cities and industry, the more corruption and malice you encounter.
Going somewhat farther afield, it's interesting the way that this idea, which went into overdrive after the trauma of the First World War (Tolkien's experiences in which deeply affected his work), influenced the way that the British tried to divide and control Iraq under the mandate, imputing purer motives to rural tribal leaders, and assuming corruption on the part of urban dwellers.
Posted by: M. Duss | Thursday, October 19, 2006 at 07:43 PM
I was pretty amused by the scene in the last LOTR movie when Frodo is toiling up the side of Mount Doom and comes across a carefully constructed archway opening out onto a lovely balcony overlooking the Magma of Doom. Clearly, this was the spot the architect intended for the Ring of Power to be thrown into the pit of fire; it certainly had no other conceivable use. I remarked to my wife that there should have been a large neon sign over the portal: "Halflings! Deposit Rings of Power Here! No Waiting! Wireless Internet! Free Coffee!"
I'm like that at the movies. You don't want me along, believe me.
Posted by: Neddie Jingo | Thursday, October 19, 2006 at 07:43 PM
Falstaff,
...or make a bad joke.
I don't think Mannion minds bad jokes. Because if he did I would've been banned from this blog long ago.
:)
Posted by: blue girl | Thursday, October 19, 2006 at 07:55 PM
Lance has made a few bad jokes of his own, too.
Posted by: Linkmeister | Thursday, October 19, 2006 at 10:52 PM
Neddie: not completely. The point about having to take the Ring to Mount Doom was that Mount Doom was where it was forged by Sauron in the first place - therefore makes sense that there would be easy access. Obviously, that was a long time ago, and things have crumbled a bit in the last few millennia...
As to why Sauron didn't wall up the passageway - the whole point is that he can't conceive of anyone getting hold of the Ring and wanting to destroy it.
Posted by: ajay | Friday, October 20, 2006 at 09:49 AM
Wow, terrific pair of posts. A couple of random thoughts.
First, if you liked Author of the Century that much, you might want to read his other book, The Road to Middle-earth
. The arguments are very similar, and overlap quite a bit; but -- somewhat irritatingly, I suppose -- there's a lot of good stuff in each that's not in the other. And they approach the material from a somewhat different point of view. It's sort of too much overlap to be totally engrossed in both, but too little to skip the brilliance of either book.
Second, in reply to Neddie Jingo, in agreement with Ajay:
Third, I have to say that I think that while I greatly enjoyed Jackson's films, I also had a lot of problems with them; but that, save in one case, my problems were never visual: the films looked like Middle Earth, the characters like the characters, the whole thing looked perfect... except for the Eye of Sauron. It wasn't so bad in the first two films; but the "search light" bit at the end of the third film was just silly. The only major visual (as opposed to thematic or character or dialogue etc) flaw in the films, really. But a big one.
Finally, I think any attempt at an allegorical reading of Tolkien has to confront the following quote from the preface to LOTR:
And that's Tolkien's portrayal of the Allies at the end of WW2! No surprise for a work all about the corruption of power -- but if that's how he portrays the end of one of the least controversial wars in history, invoking him in any other allegorical context on the side of war is a really dicey proposition.
Anyway, again, great posts. I'm not sure I (fully, baldly) agree with the reading that all the characters are (simply and purely) inner evils; but I think it's a brilliant reading -- and one far more on the mark than any political allegory.
Posted by: Stephen Frug | Friday, October 20, 2006 at 04:04 PM
Um, the first word in the quote from the Tolkien preface was supposed to be "if". And unlike me, Tolkien did not neglect to capitalize the first word of the second sentence of the passage from The Return of the King.
Oops?
Posted by: Stephen Frug | Friday, October 20, 2006 at 04:07 PM
I just want to answer Falstaff's comment by saying that I try NOT to make Lance's blog a first stop because not only are the posts incredibly thought-provoking (mentally urging lots of comments - even if just a bad joke :)) but the links are great and the links of the links can lead you into a whole new zone....so, reading Lance can be a very dangerous first stop...
Posted by: jillbryant | Saturday, October 21, 2006 at 11:33 AM
Oh, and also, I wanted to comment on this:
"But I'm more disturbed by the point he was using the eye of Sauron to make---that it's a good thing that all those Iraqis and American soldiers and Marines are getting killed every day, otherwise we might have to worry about getting killed ourselves.
It's better all those people die on our behalf than that we have to think twice about going to the mall."
Having just read Riverbend's first post in months which is in response to the Lancet Study, http://riverbendblog.blogspot.com/, I would think it'd be hard for any American leader to feel anything less than incredible sorrow and shame over what's happening in Iraq, much less tout the fact that this is some sort of solution to America's fear of terrorism.
Posted by: jillbryant | Saturday, October 21, 2006 at 11:50 AM
If you are interested in reading Tolkien expand on his book, read The Letters of J.R.R. Tolkien. One other point; there is a scene where Gandalf explains the situation at the time to Agagorn, Legolas, and Gimli. He points out that if Sauron had closed off Mordor and put all his efforts into hunting down Frodo, the free peoples would have had no hope. But imagining war he released war, and made Frodo's task possible. Substitute America for Mordor (not morally, but as the great power) and Osama for Frodo (an individual who, while a threat, could be defeated easily with the proper tactics), and you have an uncomfortable similarity to the Iraq war and Bush admin. missteps.
Posted by: p.a. | Saturday, October 21, 2006 at 09:15 PM