A weather report from the end of the 60s, metaphors with an increasing chance of symbolism throughout the day:
Sunrise was on the way, the bars were just closed or closing, out in front of Wavos everybody was either at the tables along the sidewalk, sleeping with their heads on Health Waffles or in bowls of vegetarian chili, or being sick in the street, causing small-motorcycle traffic to skid in the vomit and so forth. It was late winter in Gordita, though for sure not the usual weather. You heard people muttering to the effect that last summer the beach didn’t have summer till August, and now there probably wouldn’t be any winter till spring. Santa Anas had been blowing all the smog out of downtown L.A., funneling between the Hollywood and Puente Hills on westward through Gordita Beach and out to sea, and this had been going on for what seemed like weeks now. Offshore winds had been too strong to be doing the surf much good, but surfers found themselves getting up early anyway to watch the dawn weirdness, which seemed like a visible counterpart to the feeling in everybody’s skin of desert winds and heat and relentlessness, with the exhaust from millions of motor vehicles mixing with microfine Mojave sand to refract the light toward the bloody end of the spectrum, everything dim, lurid and biblical, sailor-take-warning skies. The state liquor stamps over the tops of tequila bottles in the stores were coming unstuck, is how dry the air was. Liquor-store owners could be filling those bottles with anything anymore. Jets were taking off the wrong way from the airport, the engine sounds were not passing across the sky where they should have, so everybody’s dream got disarranged, when people could get to sleep at all. In the little apartment complexes the wind entered narrowing to whistle through the stairwells and ramps and catwalks, and the leaves of the palm trees outside rattle together with a liquid sound, so that from inside, in the darkened rooms, in louvered light, it sounded like a rainstorm, the wind raging in the concrete geometry, the palms beating together like the rush of a tropical downpour, enough to get you to open the door and look outside, and of course there’d only be the same hot cloudless depth of day, no rain in sight.
---from Inherent Vice by Thomas Pynchon.